Mariestad Cathedral 12:00-12:50

Opening of the Regional Festival

Anna Steppler

Morlanda Church 19:00–20:00

Edoardo Bellotti

Örgryte New Church 18:00-20:00

Pre-festival ECHO installation

Ljudhavet, Gusten Aldenklint, Kimberly Marshall, Magnus Lorentzon, Hans Davidsson, a.o.

Ulricehamn Church 19:00-20:10

Echoes From Half a Millenium of Silence: An Old Hall Ladymass

Trio Mediæval                             

Anna Maria Friman, voice

Linn Andrea Fuglseth, voice

Jorunn Lovise Husan, voice

Catalina Vicens, organetto

The exquisitely decorated 15th century choir book known as the Old Hall manuscript was lost to history for the best part of 400 years until its reappearance in a Catholic seminary at the end of the 19th century. The largest surviving collection of medieval motets and mass movements, it immediately became the most celebrated source of English music of the period. It was written in the first instance by a single scribe to ensure that the music of his fellow singers was not forgotten. Many of them are known only from this manuscript, and in this program they find their voices again after more than half a millennium of silence, transformed by the singing of Trio Mediæval in the company of Catalina Vicens, alongside new music by Marianne Reidarsdatter Eriksen and David Lang.

Catalina Vicens (b. 1983)

Preludium

Sarum chant

Kyrie

Aleyn (fl. c. 1400)

Gloria

John Cooke (ca 1385 – 1442)

Stella celi

Catalina Vicens

Interludium I

Marianne R. Eriksen (b. 1971)

Sol lucet (2022)

Leonel Power (ca. 1370 – 1445)

Ave Regina Caelorum

Fonteyns (early C15)

Regali ex progenie

Chant

Regina Celi

Catalina Vicens

Interludium II

(Early C15)

Sanctus

Oliver

Agnus Dei

Catalina Vicens

Interludium III

Leonel Power

Beata progenies

David Lang (b. 1957)

Alleluia Amen (2022)

Göteborg Cathedral 12:00-12:30

Organ recital

Organ students from the Academy of Music and Drama, University of Gothenburg

German Church 16:00-16:40

Festival Opening

Opening and welcome notes

Representatives of Göteborg City, the Academy of Music and Drama, and GIOA

Edoardo Bellotti, claviorganum

Örgryte New Church 19:30-20:40

Gala Opening Concert

Kimberly Marshall, organ

Magnus Lorentzson, light

Trio Mediæval and Catalina Vicens

Davidsson Organ and Dance Collaborative

Hans Davidsson, organ

Ljudhavet: Gusten Aldenklint

The Bell and the Blackbird

Installation (premier)

Ivan Božičević: Disentanglement (Scandinavian premier)

From An Old Hall Ladymass – Gregorian Chant

Johann Sebastian Bach

Echo Improvisation (sound and light)

Örgryte New Church 9:30-11:00

Seminar: The Organic Creations of Ivan Božičević

The Croatian composer Ivan Božičević has created a distinctive style of writing for the organ, often exploiting its timbres and textures alongside MIDI and/or electronics. In this seminar Božičević will describe the evolution of his oeuvre for organ, introducing his latest piece, Disentanglement, composed for Kimberly Marshall and premiered at Amsterdam’s Oude Kerk in June 2023.Kimberly Marshall and Ivan Božičević, presenters

Göteborg Cathedral 12:00-12:50

Echoes from the 20th Century

Organ Recital on the Magnusson/Troje Organ (1962)Johannes Skoog, organ

Vasa Church 14:00-17:00

Echoes from Göteborg´s 400-year jubilee

An afternoon with mini-concertsAnnette Richards, Edoardo Bellotti, Kimberly Marshall, Anna Maria Friman, Catalina Vicens a.o.

Johann Sebastian Bach (1685-1750)

Musikalisches Opfer

Ulrika Davidsson and Joel Speerstra, Duo-Clavichord

[Complete program to be announced]

Vasa Church 19:30-20:45

Echoes From Half a Millenium of Silence: An Old Hall Ladymass     

Trio Mediæval                            

Anna Maria Friman, voice

Linn Andrea Fuglseth, voice

Jorunn Lovise Husan, voice

Catalina Vicens, organetto

The exquisitely decorated 15th century choir book known as the Old Hall manuscript was lost to history for the best part of 400 years until its reappearance in a Catholic seminary at the end of the 19th century. The largest surviving collection of medieval motets and mass movements, it immediately became the most celebrated source of English music of the period. It was written in the first instance by a single scribe to ensure that the music of his fellow singers was not forgotten. Many of them are known only from this manuscript, and in this program they find their voices again after more than half a millennium of silence, transformed by the singing of Trio Mediæval in the company of Catalina Vicens, alongside new music by Marianne Reidarsdatter Eriksen and David Lang.

Catalina Vicens (b. 1983)

Preludium

Sarum chant

Kyrie

Aleyn (fl. c. 1400)

Gloria

John Cooke (ca 1385 – 1442)

Stella celi

Catalina Vicens

Interludium I

Marianne R. Eriksen (b. 1971)

Sol lucet (2022)

Leonel Power (ca. 1370 – 1445)

Ave Regina Caelorum

Fonteyns (early C15)

Regali ex progenie

Chant

Regina Celi

Catalina Vicens

Interludium II

(Early C15)

Sanctus

Oliver

Agnus Dei

Catalina Vicens

Interludium III

Leonel Power

Beata progenies

David Lang (b. 1957)

Alleluia Amen (2022)

[Venue to be announced] 11:00-12:00

Solemn High Mass. Organ and Liturgy

Göteborg Concert Hall 11:00-12:00

Yoga session with Yoga Lene, structured around live organ musicLene Aadalen Skomedal, yoga instructor

Tommy Jonsson, organ

Vasa Church 14:00-17:00

Echoes from Göteborg´s 400-year jubilee

An afternoon with mini-concerts

Christa Rakich, organ

Max Reger (1873-1916)

6 Trios, Op. 47:

– Canon

– Gigue

– Canzonetta

– Scherzo

– Siciliano

– Fugue

Johanna Senfter (1869-1971)

From Ten Chorale Preludes, Opus 70

– Wer nur den lieben Gott lässt walten

– Herr, nun laß in Friede

– Lobet den Herren

Anton Heiller (1923-1979)

Partita on Freu dich sehr, o, meine SeeleMeditation on ”Ecce lignum crucis”

Florence Price (1887-1953)

Suite #1

– Fantasy

– Fughetta

– Air

– Toccato

Johann Sebastian Bach (1685-1750)

Musikalisches Opfer for duo clavichord

Edoardo Bellotti, Catalina Vicens, Schola Gothia, Ulrika Davidsson, Joel Speerstra, a.o., artists

[Complete program to be announced]

Örgryte New Church 19:30-21.00

Echoes of Celebrations around 1630

The European Hansa-Ensemble and Manfred Cordes

Johann Julius Weiland (ca. 1605-1663)

Laudate Dominum

Duke August von Braunschweig-Lüneburg, January 1, 1662

Augustin Pfleger (1635-1685)

Magne Magni Nati Patris

Duke Christian Albrecht to the Inauguration of the Kieler Universität February, 3, 1666

Johann Stobäus (1580-1646)

Gleichwie eins reichen Kaufmanns Schiff

Wedding composition Königsberg, March 1, 1621

Thomas Selle (1599-1663)

Surrexit Christus

For Easter in April in Hamburg

Johann Stobäus (1580-1646)

Fratres, quaecunque sunt veraTo the Graduation Ceremony, May 16, 1632, in Königsberg

Thomas Boltzius (17th century)

Deficit gaudium cordis nostri

To the Funeral of King Gustav Adolf, June 22, 1634 in Stockholm

Jan Pieterszoon Sweelinck (1562-1621)

Diligam te Domine

To the Wedding of Johann Stobäus, Juli 21, 1617, in Königsberg

Diedrich Becker (c:a 1623-1679)

Es ist ein großer Gewinn

To the Burial of the Chancellor of Schleswig-Holstein, August 15, 1678 in Glückstadt

Heinrich Albert (1604-1651)

Lobet Gott in seinem Heiligtum O ihr Götter dieser Erden

To the Celebration of the 26-year Peace Treaty between Poland and Sweden, September 12, 1635

Christian Flor (1626-1697)

So hast du nun geendiget

To the Burial of the Composer Michael Jacobi, October 19, 1663 in Lüneburg

Franz Tunder (1614-1667)

Iubilate et exultate

To the Birthday of King Karl XI of Sweden November 24, 1664

Malachias Siebenhaar (1616-1685)

Ihr Kinder IsraelTo the Inauguration after the Destruction of Magdeburg 1631 of the Temporary S:t Johannes Church, December 15, 1644

Vasa Parish Hall 12:00-12:45

Music by Johann Sebastian Bach and contemporariesEdoardo Bellotti and William Porter, organAfterwards organ soup in the Vasa Parish Hall

St. James’s Church (Sankt Jakobs kyrka) 14:30-17:00

Afternoon seminar:

Strings and Pipes, Bows and Keyboards: Exploring the echoes of violin music in keyboard repertoire

Edoardo Bellotti, moderator

The development of stringed instruments and in particular the role played by the violin – considered in the Baroque period Orpheus’ instrument – strongly influenced keyboard music both from a stylistic and technical-executive point of view.

The seminar will focus on some aspects of this relationship: the influence of violin idioms on musical figures, the transcription of the instrumental repertoire (for example Bach/Vivaldi), the stylistic changes deriving from the development of the “ritornello” in keyboard music and aspects of performance praxis and articulation.

Presentations by Joel Speerstra (Bach, violin music and the clavichord), Annette Richards (18th-century English transcriptions), William Porter and Edoardo Bellotti (the influences of Vivaldi and the repertoire inspired by the violin) will be accompanied by practical demonstrations that will engage the participants in the discussion.

Örgryte Parish Hall 17:30-19:00

Festival Reception and Buffet

The Maria Church in Marstrand 18:00-19:30

Echoes of Celebrations around 1630

The European Hansa-Ensemble and Manfred Cordes

Johann Julius Weiland (ca. 1605-1663)

Laudate Dominum

Duke August von Braunschweig-Lüneburg, January 1, 1662

Augustin Pfleger (1635-1685)

Magne Magni Nati Patris

Duke Christian Albrecht to the Inauguration of the Kieler Universität February, 3, 1666

Johann Stobäus (1580-1646)

Gleichwie eins reichen Kaufmanns Schiff

Wedding composition Königsberg, March 1, 1621

Thomas Selle (1599-1663)

Surrexit Christus

For Easter in April in Hamburg

Johann Stobäus (1580-1646)

Fratres, quaecunque sunt veraTo the Graduation Ceremony, May 16, 1632, in Königsberg

Thomas Boltzius (17th century)

Deficit gaudium cordis nostri

To the Funeral of King Gustav Adolf, June 22, 1634 in Stockholm

Jan Pieterszoon Sweelinck (1562-1621)

Diligam te Domine

To the Wedding of Johann Stobäus, Juli 21, 1617, in Königsberg

Diedrich Becker (c:a 1623-1679)

Es ist ein großer Gewinn

To the Burial of the Chancellor of Schleswig-Holstein, August 15, 1678 in Glückstadt

Heinrich Albert (1604-1651)

Lobet Gott in seinem Heiligtum O ihr Götter dieser Erden

To the Celebration of the 26-year Peace Treaty between Poland and Sweden, September 12, 1635

Christian Flor (1626-1697)

So hast du nun geendiget

To the Burial of the Composer Michael Jacobi, October 19, 1663 in Lüneburg

Franz Tunder (1614-1667)

Iubilate et exultate

To the Birthday of King Karl XI of Sweden November 24, 1664

Malachias Siebenhaar (1616-1685)

Ihr Kinder IsraelTo the Inauguration after the Destruction of Magdeburg 1631 of the Temporary S:t Johannes Church, December 15, 1644

Örgryte New Church 19:30

Concerto Copenhagen

Fredrik From, violin; Lars-Ulrik Mortensen, harpsichord

Johann Sebastian Bach (1685-1750)

Violin Concertos

Haga Church 12:00-12:45

Lunch Concert: DUO 1702

Louise Hjorth Hansen, recorders

Katrine Immerkjaer Kristiansen, organ

Giovanni Pandolfi Mealli (1630-1669)

La Bernabea

Christopher Simpson (1602-1669)

Passacaglia in D Minor

Dario Castello (c.1590-1658)

Sonata secunda

Vicente Lusitano (c.1520-1561)

Allor che ignuda

Isabella Leonarda (1620-1704)

Sonata Duodecima, Opus 16

Giovanni Pandolfi Mealli (1630-1669)

La Biancuccia

Afterwards organ soup in the Haga Parish Hall

Vasa Parish Hall 14:30-17:00

Afternoon Seminar:

Echoes of Older Composers in the Works of Max Reger

Max Reger’s Organ Music and Principles of Their Performance.

Ludger Lohmann, presenter

The seminar will explore the various groups of his works and their typical compositional features, including parallels between larger and smaller forms, and also some references to older composers. Concerning performance, the most essential parameters will be addressed: tempo and agogics, phrasing and articulation, and registration.

Göteborg Cathedral 19:30-21:10

Echoes from the Future

Maria Forsström, mezzo

Daniel Berg, percussion

Amanda Sedgwick, saxophone

Johannes Landgren, organ

Hans Davidsson, organ (Max Käck)

Part one

Amanda Sedgwick (b. 1970)

Music for Saxophone and Organ (premier performance)

Max Käck (b. 1951)

Erhebe Dich, Du Richter der Welt (Rise, Judge of the World)

Music for two organists (premier performance)

Part two                                                                                   

Daniel Berg (b. 1971)

Averno (Inferno), for mezzo & marimba

Árpád Solti (b. 1986)

Sunrise, for vibraphone and organ

Daniel Berg (b. 1971)

Across Heaven – Beyond the Clouds

Petr Eben (1929-2007)

De Nomine Ceciliae

Version for mezzo, percussion and organ

Mattias Eklund (b. 1975)

Music for Mezzo, Percussion and Organ (premier performance)

Haga Church 12:00-12:45

Lunch Concert

Maija Lehtonen, organ

Heinrich Scheidemann (1596-1663)

Praeambulum d

Erbarm dich mein, o Herre Gott

Franz Tunder (1614-1667)

In dich hab ich gehoffet, Herr

Dietrich Buxtehude (1637-1707)

Fuga C, BuxWV 174

Toccata d, BuxWV 155

Élisabeth J. de La Guerre (1665-1729)

Rigaudon, Rigaudon II from Suite in D minor

Georg Böhm (1661-1733)

Vater unser im Himmelreich (à 2 Claviers et Pedal)

Johann Sebastian Bach (1685-1750)

Preludium and fugue C major BWV 531

Afterwards organ soup in the Haga Parish Hall

Mariestad Cathedral 12:05-12:45

[Program to be announced]

St. James’s Church (Sankt Jakobs kyrka) 14:30-17:00

Afternoon seminar:

Echoes of the Ancient World: Come and Meet the Muses!

Putting Classical Archetypes to work for us as inspirations for performance

Joel Speerstra, moderator

Johann Caspar Ferdinand Fischer (1656-1746) wrote suites based on the nine muses of classical mythology. How much do we know about these goddesses, and how much of their characters did Fischer realize in the pieces? The 17th-century keyboard composers drew on these archetypes and many others from sources like Ovid’s Metamorphoses to make emblematic keyboard literature that expresses rhetorical stories we can decode today. How can we use our new knowledge of these archetypes in our performances and get deeper enjoyment of this music as listeners? This seminar will focus on starting to own these archetypes again as performers and musical orators.

Presentations will include the following:

– Christa Rakich will celebrate the anniversary of William Byrd, (1543-1623), whose music was published in the first emblematic book of keyboard music Parthenia, c. 1612

– Edoardo Bellotti will open a window into the art of oratory from the Prima e seconda prattica focusing particularly on the Possente spirito from Monteverdi’s Orfeo, as the perfect Model of Rhetoric

– Joel Speerstra will unpack some of his research into codes and musical puzzles especially drawing the portraits of the Muses present in Fischer and Pachelbel

– Ruth Tatlow will present new research on when and why voices break into unison and octaves in texted music 1680-1760. On a few memorable occasions Handel, Bach and others broke off their complex part writing and asked singers and instrumentalists to play a phrase or two in unison or at the octave. The effect is electrifying. Why would composers do such a thing? Drawing clues from the ancient understanding of proportions, and looking carefully at the words set in these phrases, Ruth will look for echoes of this practice in contemporary keyboard music – and ask what it might mean for the performer.

German Church 19.00-19:20

Official Presentation of the Festschrift in honor of Kerala J. Snyder

Short introduction to the concert which starts 19:30

German Church 19:30-21:10

Göteborg Baroque and Magnus Kjellson

Vocal and Instrumental Music from the 17th and 18th Centuries

Including works by Vincenzo Albrici (1631-1687), Dieterich Buxtehude (1637-1707), Georg Friedrich Händel (1685-1785), Johan Helmich Roman (1694-1758) and Simone Vesi (ca. 1610- after 1667).

Vasa Church 12:00-12:45

Lunch Concert

Annette Richards, organ

Echoes from the Land Without Music

Judith Weir (b. 1954)

The Trees Unfold

William Byrd (1540-1623)

Prelude and Fantasia in a

Thomas Tallis (c.1503-1585)

Felix Namque 1

Herbert Howells (1892-1983)

Master Tallis’s Testament

Charles Ives (1874-1954)

Variations on America

Afterwards organ soup in the Haga parish hall.

Örgryte New Church 14:30-17:00

Afternoon Seminar:

Jacques-Nicolas Lemmens (1823-1881)

Joris Verdin, presenter

A general introduction to the role of Lemmens in organ playing in France and Belgium, and an exploration of performance parameters like tempo, metronome, articulation and legato absolu in the context of the sacred and the secular, with examples from Sonate Pontificale and the Grand Fantasia: “The Storm.”

Göteborg Concert Hall 19:30-21:15

Olivier Latry, organ

Roger Carlsson and Walter Witick, percussion

Santtu-Matias Rouvali, conductor

Gothenburg Symphony Orchestra

Pierre Cochereau (1924-1984)

Bolero on a theme by Charles Racquet

Kaija Saariaho (1952-2023)

Earth´s Shadows (2013)

Pyotr Tchaikovsky (1840-1893)

Symphony no. 6, “Pathétique”

– Adagio

– Allegro non troppo

– Allegro con grazia

– Allegro molto vivace

– Adagio lamentoso

German Church 19:30-21.10

Göteborg Baroque and Magnus Kjellson

Vocal and Instrumental Music from the 17th and 18th Centuries

Including works by Vincenzo Albrici (1631-1687), Dieterich Buxtehude (1637-1707), Georg Friedrich Händel (1685-1785), Johan Helmich Roman (1694-1758) and Simone Vesi (ca. 1610-after 1667).

Göteborg Cathedral 12:00–12:30

Lunch Concert, Kimberly Marshall, organ

Elfrida Andrée (1841–1929)

Symphony in B minor (1890)

I. Moderato

II. Fugato: Andante lento e grazioso

III. Cantabile, attacca

IV. Finale: Allegro giusto e maestoso

Haga Church 14:30-17:00

Afternoon Seminar:

Elfrida Andrée´s Organ Music

Annette Richards, moderator

Jan H. Börjesson, Johan Hammarström, Jonas Lundblad, presenters

A presentation of the new edition of the organ works, an exploration of performance indications in the manuscripts, and a discussion of the context of Elfrida Andrée’s role as composer for the organ and organist in the 19th-century Scandinavia.

Vasa Parish Hall 17:15-18:30

Reception for Participants and Presenters of the Festival

Göteborg Concert Hall 18:00-19:45

Olivier Latry, organ

Roger Carlsson and Walter Witick, percussion

Santtu-Matias Rouvali, conductor

Gothenburg Symphony Orchestra

Pierre Cochereau (1924-1984)

Bolero on a theme by Charles Racquet

Kaija Saariaho (1952-2023)

Earth´s Shadows (2013)

Pyotr Tchaikovsky (1840-1893)

Symphony no. 6, “Pathétique”

– Adagio

– Allegro non troppo

– Allegro con grazia

– Allegro molto vivace

– Adagio lamentoso

Vasa Church 19:30-21.10

Organ Music by Elfrida Andrée, Clara Schumann, Ethel Smyth, Natalie Draper, and Rachel Laurin

Jonas Lundblad, Johan Hammarström, and Anne Laver, organ

Part one

Joseph Haydn (1732-1809)

Chaos: Introduction to the Creation; arr. Elfrida Andrée

Elfrida Andrée (1841-1929)

Sonata II for organ

– Chorale with variations

– Fuga con spirito

Jonas Lundblad, organ

Elfrida Andrée

Four compositions for the organ:

I. Prelude: Largo

II. Introduction – Improvisation on a psalm melody: Molto maestoso

III. Cantilena: Andante

IV. Melodi: Larghetto

Elfrida Andrée

Andante cantabile for cello and organJohan Hammarström, organ, [Artist to be announced], cello

Elfrida Andrée

Symphonische Dichtung

Jonas Lundblad, organ

Part two

Clara Schumann (1819-1896)

Three Preludes and Fugues, Op. 16 (arr. Anne Laver)

I. Prelude and Fugue in G Minor

II. Prelude and Fugue in B-flat Major

III. Prelude and Fugue in D Minor

Ethel Smyth (1858-1944)

Prelude and Fugue O Traurigkeit, O Herzeleid

Natalie Draper (b. 1985)

Three Meditations for Organ (2020)

I. Alleluia

II. Prayer

III. Amen

Rachel Laurin (b. 1961)

Étude Héroïque, Op. 38 (2012)

Anne Laver, organ

Jonsered Church 9:00–9:50
Echoes from Pehr Schiörlin 1783 – 240 Years
Christa Rakich, organ

Clara Schumann (1819–1896)
Prelude and Fugue in B-flat major, Opus 16, no. 2

Christa Rakich (b. 1952)
Variations on Toulon (2023)
Clara Schumann
Prelude and Fugue in D minor, Opus 16, no. 3
 
James Woodman (b. 1957)
Sonata in Sea: Cape Cod (2003)
– Barnstable
– Wellfleet
– Provincetown

Jonsered Manor 10:00-16:00

Festival Symposium:

Elfrida Andrée and Pioneering Female Organists and Composers

In collaboration with Jonsereds Herrgård, University of Gothenburg

The symposium is part of the Jonsered Seminars

Presenters: Robin Blanton, Johan Hammarström, Anne Laver, Jonas Lundblad, Kimberly Marshall, Eva Öhrström, Annette Richards and Anna Steppler.

Sverker Jullander, moderator

Registration for the symposium is mandatory, since the number of participants is very limited.

Haga Church 14:00-15:00

Dancing as a Noble Man

Kersten Cottyn, dance instruction, Ulrike Heider, organ

Göteborg Concert Hall 15:00 (LIVE STREAM)

Olivier Latry, organ

Roger Carlsson and Walter Witick, percussion

Santtu-Matias Rouvali, conductor

Gothenburg Symphony Orchestra

Pierre Cochereau (1924-1984)

Bolero on a theme by Charles Racquet

Kaija Saariaho (1952-2023)

Earth´s Shadows (2013)

Pyotr Tchaikovsky (1840-1893)

Symphony no. 6 "Pathétique"

– Adagio

– Allegro non troppo

– Allegro con grazia

– Allegro molto vivace

– Adagio lamentoso

Jonsered Church 16:00-16:50

Echoes from Pehr Schiörlin 1783 – 240 Years

Christa Rakich, organ

Clara Schumann (1819-1896)

Prelude and Fugue in B-flat major, Opus 16, no. 2

Christa Rakich (b. 1952)

Variations on Toulon (2023)

Clara Schumann

Prelude and Fugue in D minor, Opus 16, no. 3

James Woodman (b. 1957)

Sonata in Sea: Cape Cod (2003)

– Barnstable

– Wellfleet

– Provincetown

Vasa Church 19:30-20:40

Celebration of Max Reger I – 150 Years

Organ Music by Max Reger (1873-1916)

Ludger Lohmann, organ

Fantasy and Fugue on the Hymn Halleluja! Gott zu loben, bleibe meine Seelenfreud, Opus 52, no. 3

Introduction, Variations and Fugue in F# minor on an original theme, Opus 73

Fantasy and Fugue in D minor, Opus 135b

Vasa Church 11:00-12:15

Solemn High Mass: Organ and Liturgy

Elfrida Andrée

From Mass No. 2

Cantastoria and Vasa Vokalensemble

Per Högberg, choir director and organist

[Venue to be announced] 13:00-14:10

Celebration of Max Reger II – 150 Years

Chamber Music by Max Reger (1873-1916)

Hermann Stefánsson, clarinet

Erik Wahlgren, cello

Bengt Forsberg, piano

Cello Sonata No. 2 in G minor, Opus 28

I. Agitato

II. Prestissimo assai

III. Intermezzo. Poco sostenuto

IV. Allegretto con grazia

Clarinet Sonata No. 3 in B-flat Major, Opus 107

I. Moderato

II. Vivace

III. Adagio

IV. Allegretto con grazia

A Selection of piano works

Göteborg Concert Hall 15:00-16:45

Isabelle Demers, organ

Elfrida Andrée (1841-1929)

Sonata in D

Rahel Laurin (b. 1961)

Prelude and Fugue in G Major op. 87

Nadia Boulanger (1887-1979)

Prélude and Improvisation (from Trois Improvisations)

Max Reger (1873-1916)

Fantasy and Fugue on B-A-C-H op. 46

Johann Sebastian Bach (1685-1750)

Chromatic Fantasy and Fugue BWV 903 (arr. by Max Reger)

Sergei Prokofiev (1891-1953)

Excerpts from Romeo and Juliet op. 64 (trans. by Demers)

Vasa Church 19:30-20:45

In Memoriam Kaija Saariaho (1952-2023)

Chamber Music and music for soprano, cello and organ

Gageego!