Programme
Mariestad Cathedral 12:00-12:50
Opening of the Regional Festival
Anna Steppler
Morlanda Church 19:00–20:00
Edoardo Bellotti
Thursday, October 12, 2023
Örgryte New Church 18:00-20:00
Pre-festival ECHO installation
Ljudhavet, Gusten Aldenklint, Kimberly Marshall, Magnus Lorentzon, Hans Davidsson, a.o.
Ulricehamn Church 19:00-20:10
Echoes From Half a Millenium of Silence: An Old Hall Ladymass
Trio Mediæval
Anna Maria Friman, voice
Linn Andrea Fuglseth, voice
Jorunn Lovise Husan, voice
Catalina Vicens, organetto
The exquisitely decorated 15th century choir book known as the Old Hall manuscript was lost to history for the best part of 400 years until its reappearance in a Catholic seminary at the end of the 19th century. The largest surviving collection of medieval motets and mass movements, it immediately became the most celebrated source of English music of the period. It was written in the first instance by a single scribe to ensure that the music of his fellow singers was not forgotten. Many of them are known only from this manuscript, and in this program they find their voices again after more than half a millennium of silence, transformed by the singing of Trio Mediæval in the company of Catalina Vicens, alongside new music by Marianne Reidarsdatter Eriksen and David Lang.
Catalina Vicens (b. 1983)
Preludium
Sarum chant
Kyrie
Aleyn (fl. c. 1400)
Gloria
John Cooke (ca 1385 – 1442)
Stella celi
Catalina Vicens
Interludium I
Marianne R. Eriksen (b. 1971)
Sol lucet (2022)
Leonel Power (ca. 1370 – 1445)
Ave Regina Caelorum
Fonteyns (early C15)
Regali ex progenie
Chant
Regina Celi
Catalina Vicens
Interludium II
(Early C15)
Sanctus
Oliver
Agnus Dei
Catalina Vicens
Interludium III
Leonel Power
Beata progenies
David Lang (b. 1957)
Alleluia Amen (2022)
Friday, October 13, 2023
Göteborg Cathedral 12:00-12:30
Organ recital
Organ students from the Academy of Music and Drama, University of Gothenburg
German Church 16:00-16:40
Festival Opening
Opening and welcome notes
Representatives of Göteborg City, the Academy of Music and Drama, and GIOA
Edoardo Bellotti, claviorganum
Örgryte New Church 19:30-20:40
Gala Opening Concert
Kimberly Marshall, organ
Magnus Lorentzson, light
Trio Mediæval and Catalina Vicens
Davidsson Organ and Dance Collaborative
Hans Davidsson, organ
Ljudhavet: Gusten Aldenklint
The Bell and the Blackbird
Installation (premier)
Ivan Božičević: Disentanglement (Scandinavian premier)
From An Old Hall Ladymass – Gregorian Chant
Johann Sebastian Bach
Echo Improvisation (sound and light)
Saturday, October 14, 2023
Örgryte New Church 9:30-11:00
Seminar: The Organic Creations of Ivan Božičević
The Croatian composer Ivan Božičević has created a distinctive style of writing for the organ, often exploiting its timbres and textures alongside MIDI and/or electronics. In this seminar Božičević will describe the evolution of his oeuvre for organ, introducing his latest piece, Disentanglement, composed for Kimberly Marshall and premiered at Amsterdam’s Oude Kerk in June 2023.Kimberly Marshall and Ivan Božičević, presenters
Göteborg Cathedral 12:00-12:50
Echoes from the 20th Century
Organ Recital on the Magnusson/Troje Organ (1962)Johannes Skoog, organ
Vasa Church 14:00-17:00
Echoes from Göteborg´s 400-year jubilee
An afternoon with mini-concertsAnnette Richards, Edoardo Bellotti, Kimberly Marshall, Anna Maria Friman, Catalina Vicens a.o.
Johann Sebastian Bach (1685-1750)
Musikalisches Opfer
Ulrika Davidsson and Joel Speerstra, Duo-Clavichord
[Complete program to be announced]
Vasa Church 19:30-20:45
Echoes From Half a Millenium of Silence: An Old Hall Ladymass
Trio Mediæval
Anna Maria Friman, voice
Linn Andrea Fuglseth, voice
Jorunn Lovise Husan, voice
Catalina Vicens, organetto
The exquisitely decorated 15th century choir book known as the Old Hall manuscript was lost to history for the best part of 400 years until its reappearance in a Catholic seminary at the end of the 19th century. The largest surviving collection of medieval motets and mass movements, it immediately became the most celebrated source of English music of the period. It was written in the first instance by a single scribe to ensure that the music of his fellow singers was not forgotten. Many of them are known only from this manuscript, and in this program they find their voices again after more than half a millennium of silence, transformed by the singing of Trio Mediæval in the company of Catalina Vicens, alongside new music by Marianne Reidarsdatter Eriksen and David Lang.
Catalina Vicens (b. 1983)
Preludium
Sarum chant
Kyrie
Aleyn (fl. c. 1400)
Gloria
John Cooke (ca 1385 – 1442)
Stella celi
Catalina Vicens
Interludium I
Marianne R. Eriksen (b. 1971)
Sol lucet (2022)
Leonel Power (ca. 1370 – 1445)
Ave Regina Caelorum
Fonteyns (early C15)
Regali ex progenie
Chant
Regina Celi
Catalina Vicens
Interludium II
(Early C15)
Sanctus
Oliver
Agnus Dei
Catalina Vicens
Interludium III
Leonel Power
Beata progenies
David Lang (b. 1957)
Alleluia Amen (2022)
Sunday, October 15, 2023
[Venue to be announced] 11:00-12:00
Solemn High Mass. Organ and Liturgy
Göteborg Concert Hall 11:00-12:00
Yoga session with Yoga Lene, structured around live organ musicLene Aadalen Skomedal, yoga instructor
Tommy Jonsson, organ
Vasa Church 14:00-17:00
Echoes from Göteborg´s 400-year jubilee
An afternoon with mini-concerts
Christa Rakich, organ
Max Reger (1873-1916)
6 Trios, Op. 47:
– Canon
– Gigue
– Canzonetta
– Scherzo
– Siciliano
– Fugue
Johanna Senfter (1869-1971)
From Ten Chorale Preludes, Opus 70
– Wer nur den lieben Gott lässt walten
– Herr, nun laß in Friede
– Lobet den Herren
Anton Heiller (1923-1979)
Partita on Freu dich sehr, o, meine SeeleMeditation on ”Ecce lignum crucis”
Florence Price (1887-1953)
Suite #1
– Fantasy
– Fughetta
– Air
– Toccato
Johann Sebastian Bach (1685-1750)
Musikalisches Opfer for duo clavichord
Edoardo Bellotti, Catalina Vicens, Schola Gothia, Ulrika Davidsson, Joel Speerstra, a.o., artists
[Complete program to be announced]
Örgryte New Church 19:30-21.00
Echoes of Celebrations around 1630
The European Hansa-Ensemble and Manfred Cordes
Johann Julius Weiland (ca. 1605-1663)
Laudate Dominum
Duke August von Braunschweig-Lüneburg, January 1, 1662
Augustin Pfleger (1635-1685)
Magne Magni Nati Patris
Duke Christian Albrecht to the Inauguration of the Kieler Universität February, 3, 1666
Johann Stobäus (1580-1646)
Gleichwie eins reichen Kaufmanns Schiff
Wedding composition Königsberg, March 1, 1621
Thomas Selle (1599-1663)
Surrexit Christus
For Easter in April in Hamburg
Johann Stobäus (1580-1646)
Fratres, quaecunque sunt veraTo the Graduation Ceremony, May 16, 1632, in Königsberg
Thomas Boltzius (17th century)
Deficit gaudium cordis nostri
To the Funeral of King Gustav Adolf, June 22, 1634 in Stockholm
Jan Pieterszoon Sweelinck (1562-1621)
Diligam te Domine
To the Wedding of Johann Stobäus, Juli 21, 1617, in Königsberg
Diedrich Becker (c:a 1623-1679)
Es ist ein großer Gewinn
To the Burial of the Chancellor of Schleswig-Holstein, August 15, 1678 in Glückstadt
Heinrich Albert (1604-1651)
Lobet Gott in seinem Heiligtum O ihr Götter dieser Erden
To the Celebration of the 26-year Peace Treaty between Poland and Sweden, September 12, 1635
Christian Flor (1626-1697)
So hast du nun geendiget
To the Burial of the Composer Michael Jacobi, October 19, 1663 in Lüneburg
Franz Tunder (1614-1667)
Iubilate et exultate
To the Birthday of King Karl XI of Sweden November 24, 1664
Malachias Siebenhaar (1616-1685)
Ihr Kinder IsraelTo the Inauguration after the Destruction of Magdeburg 1631 of the Temporary S:t Johannes Church, December 15, 1644
Monday, October 16, 2023
Vasa Parish Hall 12:00-12:45
Music by Johann Sebastian Bach and contemporariesEdoardo Bellotti and William Porter, organAfterwards organ soup in the Vasa Parish Hall
St. James’s Church (Sankt Jakobs kyrka) 14:30-17:00
Afternoon seminar:
Strings and Pipes, Bows and Keyboards: Exploring the echoes of violin music in keyboard repertoire
Edoardo Bellotti, moderator
The development of stringed instruments and in particular the role played by the violin – considered in the Baroque period Orpheus’ instrument – strongly influenced keyboard music both from a stylistic and technical-executive point of view.
The seminar will focus on some aspects of this relationship: the influence of violin idioms on musical figures, the transcription of the instrumental repertoire (for example Bach/Vivaldi), the stylistic changes deriving from the development of the “ritornello” in keyboard music and aspects of performance praxis and articulation.
Presentations by Joel Speerstra (Bach, violin music and the clavichord), Annette Richards (18th-century English transcriptions), William Porter and Edoardo Bellotti (the influences of Vivaldi and the repertoire inspired by the violin) will be accompanied by practical demonstrations that will engage the participants in the discussion.
Örgryte Parish Hall 17:30-19:00
Festival Reception and Buffet
The Maria Church in Marstrand 18:00-19:30
Echoes of Celebrations around 1630
The European Hansa-Ensemble and Manfred Cordes
Johann Julius Weiland (ca. 1605-1663)
Laudate Dominum
Duke August von Braunschweig-Lüneburg, January 1, 1662
Augustin Pfleger (1635-1685)
Magne Magni Nati Patris
Duke Christian Albrecht to the Inauguration of the Kieler Universität February, 3, 1666
Johann Stobäus (1580-1646)
Gleichwie eins reichen Kaufmanns Schiff
Wedding composition Königsberg, March 1, 1621
Thomas Selle (1599-1663)
Surrexit Christus
For Easter in April in Hamburg
Johann Stobäus (1580-1646)
Fratres, quaecunque sunt veraTo the Graduation Ceremony, May 16, 1632, in Königsberg
Thomas Boltzius (17th century)
Deficit gaudium cordis nostri
To the Funeral of King Gustav Adolf, June 22, 1634 in Stockholm
Jan Pieterszoon Sweelinck (1562-1621)
Diligam te Domine
To the Wedding of Johann Stobäus, Juli 21, 1617, in Königsberg
Diedrich Becker (c:a 1623-1679)
Es ist ein großer Gewinn
To the Burial of the Chancellor of Schleswig-Holstein, August 15, 1678 in Glückstadt
Heinrich Albert (1604-1651)
Lobet Gott in seinem Heiligtum O ihr Götter dieser Erden
To the Celebration of the 26-year Peace Treaty between Poland and Sweden, September 12, 1635
Christian Flor (1626-1697)
So hast du nun geendiget
To the Burial of the Composer Michael Jacobi, October 19, 1663 in Lüneburg
Franz Tunder (1614-1667)
Iubilate et exultate
To the Birthday of King Karl XI of Sweden November 24, 1664
Malachias Siebenhaar (1616-1685)
Ihr Kinder IsraelTo the Inauguration after the Destruction of Magdeburg 1631 of the Temporary S:t Johannes Church, December 15, 1644
Örgryte New Church 19:30
Concerto Copenhagen
Fredrik From, violin; Lars-Ulrik Mortensen, harpsichord
Johann Sebastian Bach (1685-1750)
Violin Concertos
Tuesday, October 17, 2023
Haga Church 12:00-12:45
Lunch Concert: DUO 1702
Louise Hjorth Hansen, recorders
Katrine Immerkjaer Kristiansen, organ
Giovanni Pandolfi Mealli (1630-1669)
La Bernabea
Christopher Simpson (1602-1669)
Passacaglia in D Minor
Dario Castello (c.1590-1658)
Sonata secunda
Vicente Lusitano (c.1520-1561)
Allor che ignuda
Isabella Leonarda (1620-1704)
Sonata Duodecima, Opus 16
Giovanni Pandolfi Mealli (1630-1669)
La Biancuccia
Afterwards organ soup in the Haga Parish Hall
Vasa Parish Hall 14:30-17:00
Afternoon Seminar:
Echoes of Older Composers in the Works of Max Reger
Max Reger’s Organ Music and Principles of Their Performance.
Ludger Lohmann, presenter
The seminar will explore the various groups of his works and their typical compositional features, including parallels between larger and smaller forms, and also some references to older composers. Concerning performance, the most essential parameters will be addressed: tempo and agogics, phrasing and articulation, and registration.
Göteborg Cathedral 19:30-21:10
Echoes from the Future
Maria Forsström, mezzo
Daniel Berg, percussion
Amanda Sedgwick, saxophone
Johannes Landgren, organ
Hans Davidsson, organ (Max Käck)
Part one
Amanda Sedgwick (b. 1970)
Music for Saxophone and Organ (premier performance)
Max Käck (b. 1951)
Erhebe Dich, Du Richter der Welt (Rise, Judge of the World)
Music for two organists (premier performance)
Part two
Daniel Berg (b. 1971)
Averno (Inferno), for mezzo & marimba
Árpád Solti (b. 1986)
Sunrise, for vibraphone and organ
Daniel Berg (b. 1971)
Across Heaven – Beyond the Clouds
Petr Eben (1929-2007)
De Nomine Ceciliae
Version for mezzo, percussion and organ
Mattias Eklund (b. 1975)
Music for Mezzo, Percussion and Organ (premier performance)
Wednesday, October 18, 2023
Haga Church 12:00-12:45
Lunch Concert
Maija Lehtonen, organ
Heinrich Scheidemann (1596-1663)
Praeambulum d
Erbarm dich mein, o Herre Gott
Franz Tunder (1614-1667)
In dich hab ich gehoffet, Herr
Dietrich Buxtehude (1637-1707)
Fuga C, BuxWV 174
Toccata d, BuxWV 155
Élisabeth J. de La Guerre (1665-1729)
Rigaudon, Rigaudon II from Suite in D minor
Georg Böhm (1661-1733)
Vater unser im Himmelreich (à 2 Claviers et Pedal)
Johann Sebastian Bach (1685-1750)
Preludium and fugue C major BWV 531
Afterwards organ soup in the Haga Parish Hall
Mariestad Cathedral 12:05-12:45
[Program to be announced]
St. James’s Church (Sankt Jakobs kyrka) 14:30-17:00
Afternoon seminar:
Echoes of the Ancient World: Come and Meet the Muses!
Putting Classical Archetypes to work for us as inspirations for performance
Joel Speerstra, moderator
Johann Caspar Ferdinand Fischer (1656-1746) wrote suites based on the nine muses of classical mythology. How much do we know about these goddesses, and how much of their characters did Fischer realize in the pieces? The 17th-century keyboard composers drew on these archetypes and many others from sources like Ovid’s Metamorphoses to make emblematic keyboard literature that expresses rhetorical stories we can decode today. How can we use our new knowledge of these archetypes in our performances and get deeper enjoyment of this music as listeners? This seminar will focus on starting to own these archetypes again as performers and musical orators.
Presentations will include the following:
– Christa Rakich will celebrate the anniversary of William Byrd, (1543-1623), whose music was published in the first emblematic book of keyboard music Parthenia, c. 1612
– Edoardo Bellotti will open a window into the art of oratory from the Prima e seconda prattica focusing particularly on the Possente spirito from Monteverdi’s Orfeo, as the perfect Model of Rhetoric
– Joel Speerstra will unpack some of his research into codes and musical puzzles especially drawing the portraits of the Muses present in Fischer and Pachelbel
– Ruth Tatlow will present new research on when and why voices break into unison and octaves in texted music 1680-1760. On a few memorable occasions Handel, Bach and others broke off their complex part writing and asked singers and instrumentalists to play a phrase or two in unison or at the octave. The effect is electrifying. Why would composers do such a thing? Drawing clues from the ancient understanding of proportions, and looking carefully at the words set in these phrases, Ruth will look for echoes of this practice in contemporary keyboard music – and ask what it might mean for the performer.
German Church 19.00-19:20
Official Presentation of the Festschrift in honor of Kerala J. Snyder
Short introduction to the concert which starts 19:30
German Church 19:30-21:10
Göteborg Baroque and Magnus Kjellson
Vocal and Instrumental Music from the 17th and 18th Centuries
Including works by Vincenzo Albrici (1631-1687), Dieterich Buxtehude (1637-1707), Georg Friedrich Händel (1685-1785), Johan Helmich Roman (1694-1758) and Simone Vesi (ca. 1610- after 1667).
Thursday, October 19, 2023
Vasa Church 12:00-12:45
Lunch Concert
Annette Richards, organ
Echoes from the Land Without Music
Judith Weir (b. 1954)
The Trees Unfold
William Byrd (1540-1623)
Prelude and Fantasia in a
Thomas Tallis (c.1503-1585)
Felix Namque 1
Herbert Howells (1892-1983)
Master Tallis’s Testament
Charles Ives (1874-1954)
Variations on America
Afterwards organ soup in the Haga parish hall.
Örgryte New Church 14:30-17:00
Afternoon Seminar:
Jacques-Nicolas Lemmens (1823-1881)
Joris Verdin, presenter
A general introduction to the role of Lemmens in organ playing in France and Belgium, and an exploration of performance parameters like tempo, metronome, articulation and legato absolu in the context of the sacred and the secular, with examples from Sonate Pontificale and the Grand Fantasia: “The Storm.”
Göteborg Concert Hall 19:30-21:15
Olivier Latry, organ
Roger Carlsson and Walter Witick, percussion
Santtu-Matias Rouvali, conductor
Gothenburg Symphony Orchestra
Pierre Cochereau (1924-1984)
Bolero on a theme by Charles Racquet
Kaija Saariaho (1952-2023)
Earth´s Shadows (2013)
Pyotr Tchaikovsky (1840-1893)
Symphony no. 6, “Pathétique”
– Adagio
– Allegro non troppo
– Allegro con grazia
– Allegro molto vivace
– Adagio lamentoso
German Church 19:30-21.10
Göteborg Baroque and Magnus Kjellson
Vocal and Instrumental Music from the 17th and 18th Centuries
Including works by Vincenzo Albrici (1631-1687), Dieterich Buxtehude (1637-1707), Georg Friedrich Händel (1685-1785), Johan Helmich Roman (1694-1758) and Simone Vesi (ca. 1610-after 1667).
Friday, October 20, 2023
Göteborg Cathedral 12:00–12:30
Lunch Concert, Kimberly Marshall, organ
Elfrida Andrée (1841–1929)
Symphony in B minor (1890)
I. Moderato
II. Fugato: Andante lento e grazioso
III. Cantabile, attacca
IV. Finale: Allegro giusto e maestoso
Haga Church 14:30-17:00
Afternoon Seminar:
Elfrida Andrée´s Organ Music
Annette Richards, moderator
Jan H. Börjesson, Johan Hammarström, Jonas Lundblad, presenters
A presentation of the new edition of the organ works, an exploration of performance indications in the manuscripts, and a discussion of the context of Elfrida Andrée’s role as composer for the organ and organist in the 19th-century Scandinavia.
Vasa Parish Hall 17:15-18:30
Reception for Participants and Presenters of the Festival
Göteborg Concert Hall 18:00-19:45
Olivier Latry, organ
Roger Carlsson and Walter Witick, percussion
Santtu-Matias Rouvali, conductor
Gothenburg Symphony Orchestra
Pierre Cochereau (1924-1984)
Bolero on a theme by Charles Racquet
Kaija Saariaho (1952-2023)
Earth´s Shadows (2013)
Pyotr Tchaikovsky (1840-1893)
Symphony no. 6, “Pathétique”
– Adagio
– Allegro non troppo
– Allegro con grazia
– Allegro molto vivace
– Adagio lamentoso
Vasa Church 19:30-21.10
Organ Music by Elfrida Andrée, Clara Schumann, Ethel Smyth, Natalie Draper, and Rachel Laurin
Jonas Lundblad, Johan Hammarström, and Anne Laver, organ
Part one
Joseph Haydn (1732-1809)
Chaos: Introduction to the Creation; arr. Elfrida Andrée
Elfrida Andrée (1841-1929)
Sonata II for organ
– Chorale with variations
– Fuga con spirito
Jonas Lundblad, organ
Elfrida Andrée
Four compositions for the organ:
I. Prelude: Largo
II. Introduction – Improvisation on a psalm melody: Molto maestoso
III. Cantilena: Andante
IV. Melodi: Larghetto
Elfrida Andrée
Andante cantabile for cello and organJohan Hammarström, organ, [Artist to be announced], cello
Elfrida Andrée
Symphonische Dichtung
Jonas Lundblad, organ
Part two
Clara Schumann (1819-1896)
Three Preludes and Fugues, Op. 16 (arr. Anne Laver)
I. Prelude and Fugue in G Minor
II. Prelude and Fugue in B-flat Major
III. Prelude and Fugue in D Minor
Ethel Smyth (1858-1944)
Prelude and Fugue O Traurigkeit, O Herzeleid
Natalie Draper (b. 1985)
Three Meditations for Organ (2020)
I. Alleluia
II. Prayer
III. Amen
Rachel Laurin (b. 1961)
Étude Héroïque, Op. 38 (2012)
Anne Laver, organ
Saturday, October 21, 2023
Jonsered Church 9:00–9:50
Echoes from Pehr Schiörlin 1783 – 240 Years
Christa Rakich, organ
Clara Schumann (1819–1896)
Prelude and Fugue in B-flat major, Opus 16, no. 2
Christa Rakich (b. 1952)
Variations on Toulon (2023)
Clara Schumann
Prelude and Fugue in D minor, Opus 16, no. 3
James Woodman (b. 1957)
Sonata in Sea: Cape Cod (2003)
– Barnstable
– Wellfleet
– Provincetown
Jonsered Manor 10:00-16:00
Elfrida Andrée and Pioneering Female Organists and Composers
In collaboration with Jonsereds Herrgård, University of Gothenburg
The symposium is part of the Jonsered Seminars
Presenters: Robin Blanton, Johan Hammarström, Anne Laver, Jonas Lundblad, Kimberly Marshall, Eva Öhrström, Annette Richards and Anna Steppler.
Sverker Jullander, moderator
Registration for the symposium is mandatory, since the number of participants is very limited.
Haga Church 14:00-15:00
Dancing as a Noble Man
Kersten Cottyn, dance instruction, Ulrike Heider, organ
Göteborg Concert Hall 15:00 (LIVE STREAM)
Olivier Latry, organ
Roger Carlsson and Walter Witick, percussion
Santtu-Matias Rouvali, conductor
Gothenburg Symphony Orchestra
Pierre Cochereau (1924-1984)
Bolero on a theme by Charles Racquet
Kaija Saariaho (1952-2023)
Earth´s Shadows (2013)
Pyotr Tchaikovsky (1840-1893)
Symphony no. 6 "Pathétique"
– Adagio
– Allegro non troppo
– Allegro con grazia
– Allegro molto vivace
– Adagio lamentoso
Jonsered Church 16:00-16:50
Echoes from Pehr Schiörlin 1783 – 240 Years
Christa Rakich, organ
Clara Schumann (1819-1896)
Prelude and Fugue in B-flat major, Opus 16, no. 2
Christa Rakich (b. 1952)
Variations on Toulon (2023)
Clara Schumann
Prelude and Fugue in D minor, Opus 16, no. 3
James Woodman (b. 1957)
Sonata in Sea: Cape Cod (2003)
– Barnstable
– Wellfleet
– Provincetown
Vasa Church 19:30-20:40
Celebration of Max Reger I – 150 Years
Organ Music by Max Reger (1873-1916)
Ludger Lohmann, organ
Fantasy and Fugue on the Hymn Halleluja! Gott zu loben, bleibe meine Seelenfreud, Opus 52, no. 3
Introduction, Variations and Fugue in F# minor on an original theme, Opus 73
Fantasy and Fugue in D minor, Opus 135b
Sunday, October 22, 2023
Vasa Church 11:00-12:15
Solemn High Mass: Organ and Liturgy
Elfrida Andrée
From Mass No. 2
Cantastoria and Vasa Vokalensemble
Per Högberg, choir director and organist
[Venue to be announced] 13:00-14:10
Celebration of Max Reger II – 150 Years
Chamber Music by Max Reger (1873-1916)
Hermann Stefánsson, clarinet
Erik Wahlgren, cello
Bengt Forsberg, piano
Cello Sonata No. 2 in G minor, Opus 28
I. Agitato
II. Prestissimo assai
III. Intermezzo. Poco sostenuto
IV. Allegretto con grazia
Clarinet Sonata No. 3 in B-flat Major, Opus 107
I. Moderato
II. Vivace
III. Adagio
IV. Allegretto con grazia
A Selection of piano works
Göteborg Concert Hall 15:00-16:45
Isabelle Demers, organ
Elfrida Andrée (1841-1929)
Sonata in D
Rahel Laurin (b. 1961)
Prelude and Fugue in G Major op. 87
Nadia Boulanger (1887-1979)
Prélude and Improvisation (from Trois Improvisations)
Max Reger (1873-1916)
Fantasy and Fugue on B-A-C-H op. 46
Johann Sebastian Bach (1685-1750)
Chromatic Fantasy and Fugue BWV 903 (arr. by Max Reger)
Sergei Prokofiev (1891-1953)
Excerpts from Romeo and Juliet op. 64 (trans. by Demers)
Vasa Church 19:30-20:45
In Memoriam Kaija Saariaho (1952-2023)
Chamber Music and music for soprano, cello and organ
Gageego!
A World of Tactile Passion and New Sounds - for All!
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