9:15–9:40

German Church

(Admission free)

Introductions

9:40–11:30

German Church

(Admission free)

Johann Sebastian Bach (1685–1750)

Fugue on a theme by Corelli, BWV 579

Aria variata alla maniera italiana, (aria + 10 variazioni), BWV 989

Roberto Antonello, Treviso, Italy, Artistic Director

Benedict Jucker (1811–1876)

(Münsterorganist in Basel and student of Rinck)

Fantaisie und Fuge über BACH

Eugène Thomas (1841–1918)

(French alsacian composer and pupil of a pupil of Rinck)

Trois solos opus 12 for organ

Aurore Baal, Fribourg, Switzerland, Young Representative

Jeanne Demessieux (1921–1968)

Lumière from Sept méditations sur le Saint-Esprit

Jehan Alain (1911–1940)

Intermezzo

György Ligeti (1923–2006)

Étude No. 2

Coulée

Xinjie Li, Alkmaar, The Netherlands, Young Representative

Karl Hoyer (1891–1936)

Die vier Charakterstücke op. 33

I. Christi Geburt

II. Christi Kreuzweg

III. Christus am Kreuze

IV. Christi Auferstehung

Oana Maria Bran, Freiberg, Germany, Young Representative

Martin Herchenröder (*1961)

Zeit raum I: ad fontes

I. Präludium

II.. Intonation

III. Orgel-Punkte

Clemens Lucke, Freiberg, Germany, Artistic Director

13:30–16:10

Haga Church

(Admission free)

Franz Liszt (1811–1886)

Weinen, Klagen, Sorgen, Zagen

Variations on the Basso Continuo from Cantata no. 12 and Crucifixus from Mass in B-minor, BWV 232, by J. S. Bach

Daniel Beilschmidt, Altenburg, Germany, Artistic Director

Gracia Baptista (fl. 1557?, Spanish Roman Catholic nun and composer who lived in Ávilaa, first female composer whose music was published in print)

Conditor alme from Libro de Cifra Nueva de Luys Venegas de Henestrosa, Alcalá

Antonio de Cabezón (1510–1578)

Diferencias sobre el canto de madama le demanda

[Obras de Música, Madrid, 1578]

Anonymous (17th C. ?)

Españoleta

[Flores de Música de Fray Antonio Martín y Coll, 1708]

Juan Cabanilles (1644–1712)

Tiento de Batalla de 5º tono punto baxo

[Ms. 386 Biblioteca de Catalunya, Barcelona, 1722]

Ana Lucia Buzón Rios, Granada, Spain, Young Representative

Francisco Fernández Palero (ca 1533–1597, organist at the Royal Chapel of Granada from 1553)

Passeavase el rey moro

Ave maris stella, El contrabajo lleva el canto llano

[Libro de Cifra Nueva, Alcalá, 1557]

Francisco Correa de Arauxo (1584–1654)

Quinto tiento de medio registro de tiple de séptimo tono

Tiento tercero de sexto tono por fefaut sobre la primera parte de la Batalla de Morales

[Facultad Orgánica, Alcalá, 1626]

Juan Maria Pedrero, Granada, Spain, Artistic Director

Jacob Praetorius (1586–1651)

Praeambulum ex F

Camphuysen Ms (fl. 1670)

Three Variations on Daphne

Anthoni van Noordt (?1619-1675)

Psalm 24 (3 verses)

Pieter van Dijk, Alkmaar, The Netherlands, Artistic Director

Samuel Marckfelner (1621–1674)

Sieh mein Herr Gott from Tablature SK-Le 13994 [5A]

• Sieh mein Herr Gott
• Ach mein Herr Gott
• Mein Herz mein Sinn ist fröhlich
• Und weil mein Freud
• Eh dir ich mich mein Herz

Orlando di Lasso (ca 1532–1594)

Veni in hortum meum from Gdańsk organ tablature

Andreas Hakenberger (1574–1627)

Dulcis Jesu pie Deus from Braunsberg from Oliva organ tablature

Anonymous

Gagliarda from Tablature D-B Slg Bohn Ms. mus. 357

Artur Szczerbinin, Olkusz, Poland, Young Representative

Manuel Rodrigues Coelho (ca 1555–1635)

Kirios de 1º tom (5 Verses)

António Carreira (ca 1530–ca 1594)

Canção 

Frei Diogo da Conceição (17th c.)

Meio registo de 2º tom

Frei Domingos de São José (17th c.)

Obra de 5º tom

João Vaz, Mafra, Portugal, Artistic Director

Georg Muffat (1653–1704)

Toccata nona

Jan Pieterszoon Sweelinck (1562–1621)

Fantasia Crommatica

Kristina Avakian Mikkelsen, Roskilde, Denmark, Young Representative

Heinrich Scheidemann (1595-1663)

Toccata in G, WV 43

Intabulation of a motet by Hieronimus Praetorius

Benedicam Dominum in omni tempore, WV 48

Bine Katrine Bryndorf, Roskilde, Denmark, Artistic Director

(Intermission, 20 minutes)

16:40–19:10

Haga Church

(Admission free)

Samuel Scheidt (1587–1654)

Fantasia super Ut. Re. Mi. Fa. Sol. La. , SSWV 105 (Tabulatura nova, I, 1624)

From Tabulatura nova, Part One, 1624

Maurizio Croci, Fribourg, Switzerland, Artistic Director

Samuel Scheidt (1587–1654)

Modus ludendi pleno organo pedaliter, SSWV 157

Johann Kaspar Kerll (1627–1693)

Canzona III in d Moll

Johann Ludwig Krebs (1713–1780)

Fantasia à gusto italiano

Johann Sebastian Bach (1685–1750)

Komm, Gott Schöpfer, Heiliger Geist, BWV 667

Theresa Heidler, Altenburg, Germany, Young Representative

John Bull (1562-1628)

Een kindeken is ons geboren

Peeter Cornet (ca. 1575–1633)

Regina Coeli

• Regina coeli
• Quia quem meruisti
• Resurrexit sicut dixit
• Ora pro nobis

Abraham Van den Kerckhoven (1619–1702)

Fantasia in d

Charlène Bertholet, Brussels, Belgium, Young Representative

Peeter Cornet (ca 1575–1633)

Fantaisia octavi toni         

Peter Philips (1561-1628)

Fantasia (from Liber Fratrum Cruciferorum, Liège 1617)

John Bull (1562-1628)

Salve Regina

• Salve
• Ad te clamamus
• Eia ergo
• O clemens
• Pro fine  

Bernard Foccroulle, Brussels, Belgium, Artistic Director

Petrus Paepen (1662–1717)

Aria in G major

Abraham van den Kerckhoven (1618–1702)

Salve Regina primi toni

Matthias van den Gheyn (1721–1785)

Morceau fugué n°1 in G minor

Pieter de Vos (*1996)

New composition

Marie Petit, Leuven, Belgium, Young Representative

Samuel Scheidt (1587–1654)

Toccata In te domine speravi

Hieronymus Praetorius (1560–1629)

Wenn mein Stündlein vorhanden ist

David Boos, Tangermünde, Germany, Artistic Director

Franz Danksagmüller (*1969)

Steigleders Variations on Vater unser (1624)

Composed for the Scherer organ in Tangermünde and the anniversary of Johann Ulrich Steigleder

• 4. Granules
• 5. Noise canvas
• 6. Ambient loops
• 17. Overlays

Olga Minkina, Tangermünde, Germany, Artistic Director

Wedding marches and songs from Leufsta Bruk

Lukas Arvidsson, Lövstabruk, Sweden, Artistic Director

Torbjörn Näsbom, nyckelharpa

19:40–22.20

Vasa Church

(Admission free)

Charles Tournemire (1870–1939)

Sabbato Sancto op. 56 No. 16

• Offertoire

Dominica Resurrectionis op. 56 No. 17

• Paraphrase et double Choral

Yoann Tardivel, Toulouse, France, Artistic Director

Gabriel Pierné (1863-1937)

3 pièces, opus 29

• Prélude
• Cantilène
• Scherzando

Angela Ede, Toulouse, France, Young Representative

Joaquim dos Santos (1938–2008)

Cinque pezzi per organo (1967)

• I. Preludio
• II. Divertimento

João Vaz (*1963)

Chorale prelude Herr Jesu Christ, wahr Mensch und Gott (2017)(commissioned by The Orgelbüchlein Project)

Frederico de Freitas (1902–1980)

Sonata de Igreja (*1963)

• II. Diálogo pastoril

Luís de Freitas Branco (1890–1955)

Choral (1913)

Beatriz Resendes, Mafra, Portugal, Young Representative

Jacques-Nicolas Lemmens (1823–1881)

Marche Pontificale

Joseph Jongen (1873–1953)

Pie Jesu from Three sacred songs

Paul Gilson (1865–1942)

Prélude (sur un vieux lied flamand)

Jules Van Nuffel (1883–1953)

Ego sum panis (unpublished)

Flor Peeters (1903-1986)

Concert Piece (from Concerto for Organ, op 52)

Luc Ponet, Leuven, Belgium, Artistic Director

Henning Sommerro (*1952)

Vårsøg

Eilert Hægeland (1951–2004)

Meditasjon over Lyset over landet

Egil Hovland (1924–2013)

Lux Æterna

Toccata over Nu la oss takke Gud

Tove Kyvik, Trondheim, Norway, Young Representative

Petra Bjørkhaug (*1964)

Improvisation on Eg veit i himmerik ei borg (I know a Castle in Heaven)

Ståle Kleiberg (*1958)

Ascension from Descent and Ascension, commissioned for Orgelfest 2009

Brita Sjöberg, Trondheim, Norway, Artistic Director

Franz Schmidt (1874–1939)

Chorale prelude O wie selig seid ihr doch, ihr Frommen

(O how blessed are you, you pious ones)

Anton Heiller (1923–1979)

Kleine Partita über das dänische Lied Den klare sol går ned

(Partita on the Danish song The clear sun is setting)

Lea Graf, Innsbruck, Young Representative

Elias Praxmarer (*1994)

Prelude No. 5

Franz Schmidt (1874–1939)

Toccata in C major

Elias Praxmarer, Innsbruck, Austria, Artistic Director